Music.
Sample, stream, purchase downloads and CDs and read about John's recordings.
PAST IMPERFECT
PAST IMPERFECT comprises 17 original tracks of ballads, jump blues, jazz-pop, folk, and fast-paced theatrical tongue-twisters anchored by a piano trio and featuring horns and harmony vocals. The songs are populated with romantics, strivers, gamblers, hucksters, suckers, cheaters, and greedy bastards all with stories to tell about wild adventures and quiet observations, about relationships and love, and ultimately about how we come to care about each other.
“Allee presents a splendid, alternately heartfelt, charming, gently reflective and incisively pointed fictionalized chronicle of colorful characters... A brilliantly poetic storyteller. The joy of the album is never knowing what tempo, vocal timbre, subject or style (jazz, blues, pop, folk, you name it) his powerhouse ensemble is going to treat us to next.”
- Jonathan Widran, JW Vibe
BARDFLY
Songs from Shakespeare with a Be-bop Twist
"Backed by a fine jazz ensemble, it is Allee's slick composing, dramatic delivery, and acting chops that make this recording a standout."
- All About Jazz
A collection of unconventional, humorous, and romantic songs inspired by the immortal Bard of Avon, Willy "The Shake" Shakespeare, Bardfly is composed, arranged, and adapted by John Allee based on lyrics from the plays of William Shakespeare.
Showcasing his wide array of talents as a vocalist, composer, lyricist and dramatic performer, the eclectic 13-track set – in which Allee assumes the persona of Feste “The Bardfly” Johnson – mines compelling verses from a wide swath of the Bard’s canon from Othello to Henry IV as a foundation for everything from blues, ballads and hymns to compelling spoken word and swingin’ ditties.
Bardfly ˈbärd-ˌflī/ n. (pl. -ies) informal: a be-bop balladeer who spends much time drinking in Shakespeare: "a verse-swinging bardfly."
“This album is a treasure, for both lovers of vocal jazz and classic poetry.”
- Thomas Cunniffe, Jazz History Online
Expect Delays
Solo Album
Recorded live at the legendary Village Recorders, Expect Delays is an intimate set of piano-vocals
From the slow, gospel tinged “On Melrose” where our narrator finds himself contemplating the dimples in the seat where his girlfriend once sat, to the propulsive and pianistically virtuosic “I Fail,” a tale of a destructive, but inescapable love affair, the songs on this recording have a confessional, deeply-layered intensity along with a wry and playful soulfulness that percolates throughout. Ballads such as “When Love Comes Down” and “All She Would Say Was I’m Cold” have a theatrical immediacy, with “Sugar Pop” and “Why Couldn’t We Just Forget About Life for A While?” adding a bit of R&B and jazzy fun. In the lament “All She Would Say Was I’m Cold,” an untrustworthy barfly can’t quite figure out why he’s been left, and in “Instant Replay” the singer grapples with the consequences of leaving but not letting go. Things pick up in the love department with “The Right Parts Combine” and “Lucky Day Girl,” each providing a groove to match the catch, and the serene “Quiet Company” brings us in close with the feel of an old-school standard.
Allee produced this recording in collaboration with songwriter/producer Phil Swann (Clay Aiken, Lee Ann Womack, Blake Shelton). Jeff Peters (The Beach Boys, Brian Setzer, Stray Cats) was the mixing and mastering engineer.
"All She Would Say Was I'm Cold"
Music Video from the album Expect Delays
Unless It Isn't
John's Debut Album
"With his solo debut, UNLESS IT ISN'T, Allee reveals a stunning suite of songs that acknowledges his theatrical history and honors his metamorphosis into a modern-day troubadour."
- American Songwriter Magazine
Unless It Isn't is an earthy blend of stripped-down, story driven folk-pop/roots-rock freshly brewed and served up steaming from the American roadhouse. Combining a gentle and fluid voice with acoustic piano, acoustic and electric guitars, and drums, Johnnye's unconventional songs are at once wry, intimate, soulful, cinematic, and poignant.
From the rootsy, ice-house feel of “Everything Will Be All Right,” to the mournful country-flavor of “On the Kern County Line” and “Texas to Tuesday,” the songs on this album have a personal musical style that is grounded in the traditions of the great singer-songwriters from the sixties and seventies. “I'm the Apostrophe” and “Fire is Yellow” take on a heat-hazed swampy intensity with “Torn” adding a measure of ethereal ambience and “Half on the Side of the Leaver” lending gospel tinged raw-boned grit. “That's the Thing of It” introduces an almost symphonic piano-based pop sound, while “A Simple Transpicuous Philippic; or, You’re Not Nice” plays it folk-traditional in an homage to Paul Simon's early send up of Bob Dylan. “Another New York Knockout,” “Hidden in the Crosshairs,” and “I Love You Like This” display crisply poetic lyrics and haunting melodies, with a rich sense of harmony in the elegantly simple arrangements.
"Songcraft with cinematic touches, intricate, original melodies and winning vocal performances... Listen to (Allee's) epic tune, "On the Kern County Line."
- Music Connection
Xmas Piece
Holiday Instrumental Single
"Xmas Piece" is a solo piano track that was recorded at John's home studio while quarantining during the 2020 holiday. ""Home for the Holidays' got a whole new meaning with the arrival of Covid. I wanted to write something to reflect my feelings that would be intimate and contemplative," says Allee. "It puts me in mind of all the love I've been lucky to share with my friends and family at this time of year."
May it fill your home with peace and solace. Add it to your favorite holiday playlists!
